And I adore being a part of that process; of helping to create that piece of art.
I’m of the opinion that good typesetting shouldn’t be noticed. Good book design, of course, should be. But the typesetting shouldn’t draw attention to itself. If a book is poorly typeset, you will notice it; the last line of a paragraph stuck at the top of a new page, or a paragraph of text much looser or tighter than the others around it, draws and distracts the eye.
If you’re looking for an able and enthusiastic typesetter, please drop me a line. I specialise in my lifelong passion: history and archaeology, with a particular focus on ancient Egypt; the subject I studied at university. I am, however, happy to consider other books; please do drop me a line at firstname.lastname@example.org and we’ll have a chat.
What do you get when you hire me?
I take great pride in producing beautifully laid out pages. Each page is carefully crafted to look its best, including tinkering with tracking to get those paragraphs just right, and hunting down widows and orphans.
I also sweep the whole document to ensure:
- there are no double spaces
- dashes are changed to en-hyphens, where necessary
- BC/AD in dates are formatted as small capitals
and any other of those annoyances that can creep into your text.
I’m more than comfortable working with tables, footnotes, endnotes, glossaries and bibliographies.
If you need more than just the typesetting, I can also:
- set up your InDesign files with paragraph, character and table styles
- set up Word templates with paragraph styles for authors to use
- proofread text for errors in punctuation, spelling and grammar, and ensure house-style has been adhered to, including those ever-variable spellings of ancient names
- liaise directly with authors and printers
- edit images to adjust cropping, colour correction etc
- set hieroglyphs either inline in InDesign or recreate the layout of an inscription using Adobe Illustrator
If you don’t see what you’re looking for here, please do ask.
In the toolbox
I work primarily with InDesign on Windows 10, ably assisted by Adobe Photoshop, Adobe Illustrator and Microsoft Office (the whole package: Word, Excel, PowerPoint, Publisher and Access).
I have a number of specialist typefaces for setting ancient languages. I have Laser Hieroglyphics, a professional typeface containing all of the glyphs from Gardiner’s sign-list (both left- and right-facing), as well as overstrikes and transliteration.
I also have fonts for demotic transliteration, Coptic and ancient Greek.
With over twenty years’ experience working in admin-based jobs, I’m well-equipped to deal with the administrative side of typesetting and book production. I’m more than happy liaising with authors, with printers and with publishers, and I understand the pressures of deadlines and working co-operatively alongside others. My love for wordprocessing has progressed naturally over the years into one for typesetting.
I studied Egyptology to Masters level at the University of Liverpool, specialising in the language, which puts me in a strong position for typesetting books on the subject.
I’m a visually inspired person, with a love for photography as well as Egyptology and typesetting. I’m still involved with the University of Liverpool, helping to photograph the collection at the University’s teaching museum, the Garstang Museum of Archaeology (see www.retrograde.photography).
Some fun facts about me:
- like all other academics, I just love books; I have more than I have space for on my shelves. If I won the lottery, I’d buy a house big enough to have its own library (and a pool table. I’ve always wanted a pool table). I’d fill the library up with oversized, old, leather-bound books
- the first thing I do when I buy a new book or magazine is open it up, stick my nose in and smell that wonderful new book smell
- I can spot a double-space at twenty paces
If you have a project you’d like to speak to me about, please email me at email@example.com
Sample pages and portfolio