When I asked people what they struggle with most when taking photographs in low light, the biggest issues are shaky/blurry photos, too much noise/grain and photos that are too dark. Sometimes, this is down to your hardware; other times, it’s just not quite knowing what to do with your camera. To improve your photography, the first step is to start understanding why your photos aren’t working so well in the first place.
At the start of the summer holidays 2018, we took the girls for our annual trip to Bath for them to spend some time with their grandparents. While we were there, I took the opportunity to have a trip to the Bristol Museum and Art Gallery. It’d been a few years since my last trip and I wanted to get some photos to add to my collection.
On 19 July 2018, my photography session at the Garstang was a Tiny Egypt one. Feeling a bit like a child at Christmas, I took a box of amulets into the imaging suite and dug in.
The month of May is Photo Month. As part of the month in 2018, I shared on Facebook and Twitter photos of Egyptian-revival architecture around Liverpool. The posts were popular, so I’ve put them all together here. For those interested in photographing them, I’ve included extra information on how I photographed them.
Since its release in November 2017, I’ve been lusting after the Fujifilm 80mm macro lens. Touted as Fuji’s first ‘real’ macro lens (I explain why their other macro lens isn’t really considered a ‘proper’ macro below), it’s had some amazing reviews, and I’d been suffering lens envy until I was at last able to get mine in April 2018.
So, it’s a new year and I have a new project to get working on at the Garstang (hooray!). The museum’s next exhibition is planned for 2019 and shifts right back to the Predynastic Period; the time before the pharaohs. I don’t yet know what the detailed theme of the exhibition will be, though it is early days. What I do know, however, is that there’s a lot for me to be photographing, so my work’s already begun in earnest.
The goddess Isis, along with Osiris, is probably one of the best known deities from ancient Egypt. The couple are synonymous with the seemingly mysterious, often-confusing religion. First attested in funerary texts from the pyramid of Unas (c. 2360 BC), Isis was the longest lived of the Egyptian pantheon. Her cult became dominant in the Greco-Roman period, with the goddess soaking up aspects of other goddesses including Hathor and Astarte until she became the ultimate, all-powerful deity. The last, and arguably most famous pharaoh, Cleopatra VII, often depicted herself as Isis.
Because her cult was adopted in Rome, it spread far outside of Egypt, sanctuaries being founded even as far north as London. Her temple at Philae was the last temple to close in Egypt in the 6th century AD after Christianity spread across the Roman Empire.
This past year has been an amazing year for me and my photography. From humble beginnings, taking a few photos for fun at the Garstang Museum, I’ve ended up photographing lots of beautiful ancient Egyptian artefacts, providing photography for the Book of the Dead exhibition and having my images up on the wall of the Tate Liverpool.
As I think back over the last year, and look forward to what 2018 has to bring for me, I thought I’d share some of my favourite photos and moments with you from the past twelve months. So, here’s my year in photos, month by month, for 2017.
While the Book of the Dead exhibition was on, the Garstang put in a successful bid for a week-long workshop at the Tate Liverpool. The workshop was based on the Book of the Dead exhibition, but was art-focused, without the artefacts. It featured my photography, prominently.
The Book of the Dead exhibition moved over from the Garstang to their sister museum, the Victoria Gallery and Museum on 21 October. I went along with my girls in its first week to have a nose and see how it’s worked out.