What is focus stacking?

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Focus-stacking is a technique photographers use when they can’t get all of their subject in focus in a single shot. And it’s a technique that I use almost all the time for my artefact photography.

But, what do I mean by getting all your focus in one shot?I think everyone’s familiar with the idea of focus being about getting a sharp, not blurry, image.

However, various factors can affect how much of your photo is sharp.

Photographing Egyptian flint tools using a lightbox

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The photography I’ve been doing at the Garstang isn’t all amulets and papyrus. I’ve photographed a lot of pottery for the Before Egypt exhibition, which in itself has been a lot more fun than I thought it might be. However, I’ve also photographed another type of object for the first time for the exhibition: flint tools.

New toy time! The Fujifilm 80mm macro lens: first impressions

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Since its release in November 2017, I’ve been lusting after the Fujifilm 80mm macro lens. Touted as Fuji’s first ‘real’ macro lens (I explain why their other macro lens isn’t really considered a ‘proper’ macro below), it’s had some amazing reviews, and I’d been suffering lens envy until I was at last able to get mine in April 2018.

Update from the Garstang: tiny amulets and a visit from Bob Brier

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Having had a bit of a break from photographing artefacts while the Book of the Dead exhibition was being put together, I started back at the Garstang a couple of weeks ago.

Whilst having a bit of an explore of the storerooms, I happened upon some boxes of amulets; I knew immediately these tiny little objects could be great fun to photograph.

Photographing Egyptology at the Garstang Museum

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The Garstang Museum of Archaeology is the departmental museum for the School of Archaeology, Classics and Egyptology at the University of Liverpool. The university’s where I studied Egyptology, so it’s a place close to my heart.

I’m so excited to share with you that I’m going to be getting my hands dirty at the Garstang with some photographic projects. The curator, Dr Gina Criscenzo Laycock, and I studied for our Masters together, so it’s been really great to catch up with an old friend and get the opportunity to start this project.

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