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Egyptian transliteration: will it survive the digital era, or will it be replaced by Manuel de Codage?

This is a question which has popped into my head recently, possibly as a result of the problems I had with transliteration fonts on one of my typesetting projects.

With the ever-increasing presence of digital media such as ebooks and the Internet, and with the inevitable growth of older publications being digitised, the ability to properly render transliteration and other specialist fonts will become more of an issue in Egyptology.

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My top 5 Egyptology songs

Egyptology is a serious academic discipline. Institutes across the globe are involved in research into this most wonderful of ancient cultures, looking at everything from pottery to temple architecture to the finer points of the language’s grammar.However, that doesn’t mean that we can’t have a bit of fun with it, as well. Fascination with the ancient Egyptians has spilled over into popular culture for a long time now. The decipherment of hieroglyphs in the 1820s and the discovery of Tutankhamun in the 1920s spawned all manner of Egyptomania, for instance.

Sekhmet at the World Museum

Sekhmet at the World Museum

When you first come into the World Museum in Liverpool, you find yourself in a large, airy foyer with some of the museum’s biggest items on display. This includes an unnervingly large spider-crab shell and a pterodactyl suspended from the ceiling. Here, flanking the entry to the main staircase is a pair of gorgeous Sekhmet statues. Although I was already a little familiar with the ancient Egyptian lioness, I wanted to know more. Who was this enigmatic goddess, seemingly so serene and regal-looking? And what role did she play for the ancient Egyptians? Well, here’s the low-down …

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Belzoni’s watercolours of Seti I’s tomb at the Bristol Museum

Born in Padua, Italy, in 1778, Giovanni Battista Belzoni led a colourful life. He studied hydraulic engineering in Rome when he was young, but then moved to the Netherlands and worked as a barber. He subsequently joined a circus in England, performing as a strongman, where he’d carry up to 12 people at a time across the circus floor (he stood in at 6′ 7″; impressive, even by today’s standards). An obvious career path, wouldn’t you agree!

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Who was Tetisheri?

Many years ago, I picked up a copy of a game called ‘Pharaoh’. It was a PC game based on strategic city building that enjoyed a great surge of popularity in the late nineties and early noughties (and still has a few dedicated disciples to this day).

You were given a choice of ancient Egyptian names to use for your character; I immediately fell in love with the name Tetisheri and spent many happy hours playing the game using this name.

I then started using Tetisheri as a username for online forums, games and, more recently, social networking, making her my firmly established online identity. When I put together my website, there was no way I could leave her behind. I’d done a little research into the real Tetisheri in the past, but I’ve decided it’s time to really bring her back to life. So, here she is.