header image for the opening day at the garstang blog post

Opening day at the refurbished Garstang Museum

Over the past couple of years, the Garstang Museum of Archaeology at the University of Liverpool has been going through a major redevelopment, including a move from its place on the first floor of 14 Abercromby Square, to the ground floor, where the old archaeology library used to be.

The museum is named after John Garstang, an archaeologist working in the first decades of the 20th century, particularly in Egypt and Near East.

He set up the Institute of Archaeology in Liverpool in 1904, and the archaeology departmental museum was named after him on the centenary of the establishment of his institute, in 2004.

Thursday 17 July 2014 was its official reopening; as an ex-student of the department, I couldn’t possibly miss out.

The first face I saw when I walked through the door was that of my old Masters buddy, Gina Laycock, who, as curator, has played a large part in the redesign of the museum.

After losing about 20 minutes catching up with Gina and my ex-lecturer Steven Snape (who is also Keeper of the museum), I went for an explore. And boy, was I impressed!

A red-brick building set amongst grass and trees
The main entrance to the Garstang, via the Egyptology department round the back of Abercromby Square

The first gallery

When I went into the first room, I was hit by how bright and fresh the gallery felt. Modern, clean lighting with beautifully designed information panels and photos on the walls, including a reproduction of John Garstang’s signature right at the entrance.

You see several themed display cases, including one full of memorabilia from Garstang’s digs and working history.

Looking down a gallery with photos and information panels on the wall and three glass cases with artefacts in them
The first gallery. The entrance is to the left of the photo

There are some wonderful reproductions of tomb scenes and artefacts on the walls, and every display case is accompanied by an information panel, replete with clear and concise information about the theme of the contents.

Three horizontal registers with ancient Egyptian workers bringing animals and ritual offerings
A reproduction of a scene from the tomb of Rekhmire

Freestanding pieces

Moving on to the left of the first gallery, is a small room with some freestanding pieces, including an unusual double-sided stela and and a granite head of an unprovenanced (though probably 18th Dynasty) pharaoh.

I really liked the stand it’s been displayed on, which has allowed visitors to see both sides of the stela for the first time.

Two freestanding artefacts on pedestals - one is a carved stone head of a king, the other a carved limestone stela with the top corner broken off
Free-standing objects, including a double-sided Middle Kingdom stela from Abydos (Acc. No. E.30)

Death and the afterlife

The room to the left of the last gallery was centred around the theme of death and the afterlife.

It’s a darker room, with grey walls and lower lighting, giving it a wonderful tomb-like feeling. You’re met by the coffin of Userhat as the central piece of the room, with a stunning wall panel containing a reproduction of a tomb scene behind it.

Looking into a gallery, with a large rectangular coffin in the foreground, two anthropoid coffin lids behind, flanking the wall mural of a man hunting in marshes
The back gallery, filled with objects related to death and the afterlife, including the coffin of Userhat, at the front of the photo
A closeup of the wall mural - a dark grey background with the scene painted in white. The scene shows a man hunting fish in marshes with a double-pronged spear, with birds flying above him
Closeup of the reconstruction of a tomb scene, depicting the tomb owner spearing fish from his boat

The cases contain a fine assortment of artefacts, such as amulets, soul houses, statuettes and stelae. I was particularly struck by the funerary papyri with a page of the Amduat, and a cat mummy wrapped and put in a child’s coffin.

A mummified cat, wrapped and covered in a beaded cover. It lies in a small anthropoid coffin; the lid is sitting beside it
Mummy of a cat, placed in a child’s coffin, from the Late Period. Unprovenanced (Acc. No. E.537)
Black ink on papyrus. There are three registers with netherworld deities/demons drawn in a cursive, stick-figure-like manner. They are surrounded by hieroglyphs
Closeup of the papyrus with the Amduat (composite image), showing Re’s journey through the Duat. The papyrus belonged to a 21st Dynasty songstress of Amun-Re called Tja-ty, who lived in Thebes (Acc. No. E.507(2))

Life in Egypt

This is one of the larger galleries, and focusses on aspects of life in ancient Egypt such as trade, diplomacy, temple functions and writing.

A glass-fronted case with three shelves of artefacts, including a kopesh sword, texts on papyrus, bes-jars and ceramic containers
Display case with items such as workmen’s tools, administrative documents and domestic items

There are also cases themed around Nubia, post-Pharaonic Egypt and a central display about the Predynastic period.

Looking at two display cases containing artefacts - the one in the foreground is a low case and the one in the background a tall one with three selves. There are three people in the room looking at the cases
Display case with objects from the Nubian city Meroë, with the Predynastic case in the foreground
Gina and Roland standing in front of a three-shelved display case
Gina and Roland Enmarch discussing the finer nuances of object display

Near East, Greece and Rome

And finally, there’s a room displaying objects from the ancient Near East, Greece and Rome.

A view of one of the galleries with display cases around the edge, tall windows on the back wall and two benches in the centre of the room

Final thoughts

When I heard that the archaeology library had been moved and absorbed into the large Sydney Jones library, and that the archaeology museum was moving into the space, I felt a little sad. I’d loved the archaeology library; it was one of my favourite places to go on campus.

However, when I saw what had been achieved, I couldn’t be anything but hugely impressed. Such a lot of thought and hard work has obviously gone into the new museum. And several familiar faces made my visit all the better.

I think the rooms will continue to be my favourite place on campus.

If you like what you’ve seen here, please do consider supporting the Garstang by visiting. At the moment, it’s open on Wednesdays only, but they hope to be able extend these hours in due course.

You can also follow the museum online:

  • On their WordPress blog, where you can also find out more about John Garstang and the history of the museum, as well as read more detailed information about individual objects
  • On Facebook
  • On Twitter
  • On Instagram

Please do stop in, if you can; it’s well worth a visit. I know I’ll be back in again soon.

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With gratitude and love,

Julia

Unless otherwise credited, all photos in this post are © Julia Thorne. If you’d like to use any of my photos in a lecture, presentation or blog post, please don’t just take them; drop me an email via my contact page. If you share them on social media, please link back to this site or to one of my social media accounts. Thanks!

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13 March 2016 9:24 pm

[…] on from the massive refurbishment of the Garstang Museum in 2014 and the subsequent securing of funding for a climate-controlled […]