Much like physical health, there are things mental-health services can do to help when you’re in crisis. However, there are also steps we can take ourselves to help keep our mental health as robust as it can be during times of stress and strain.
Artefact photography is just one aspect of what I do. Another, at the other end of the scale, is documentary photography.
Unlike my artefact photography, which is carefully controlled and thought out, documentary photography is about working with what you’ve got, and reacting to the moment. Your environment dictates the photography, rather than the photography dictating the environment.
When I asked people what they struggle with most when taking photographs in low light, the biggest issues are shaky/blurry photos, too much noise/grain and photos that are too dark. Sometimes, this is down to your hardware; other times, it’s just not quite knowing what to do with your camera. To improve your photography, the first step is to start understanding why your photos aren’t working so well in the first place.
At the start of the summer holidays 2018, we took the girls for our annual trip to Bath for them to spend some time with their grandparents. While we were there, I took the opportunity to have a trip to the Bristol Museum and Art Gallery. It’d been a few years since my last trip and I wanted to get some photos to add to my collection.
The month of May is Photo Month. As part of the month in 2018, I shared on Facebook and Twitter photos of Egyptian-revival architecture around Liverpool. The posts were popular, so I’ve put them all together here. For those interested in photographing them, I’ve included extra information on how I photographed them.
Since its release in November 2017, I’ve been lusting after the Fujifilm 80mm macro lens. Touted as Fuji’s first ‘real’ macro lens (I explain why their other macro lens isn’t really considered a ‘proper’ macro below), it’s had some amazing reviews, and I’d been suffering lens envy until I was at last able to get mine in April 2018.
This past year has been an amazing year for me and my photography. From humble beginnings, taking a few photos for fun at the Garstang Museum, I’ve ended up photographing lots of beautiful ancient Egyptian artefacts, providing photography for the Book of the Dead exhibition and having my images up on the wall of the Tate Liverpool.
As I think back over the last year, and look forward to what 2018 has to bring for me, I thought I’d share some of my favourite photos and moments with you from the past twelve months. So, here’s my year in photos, month by month, for 2017.
I’ve had a lot of fun over the last few years exploring galleries of Egyptian collections with my camera (as a visitor). A lot of it has been hit-and-miss, to say the least, usually because of glass reflections or low light (or a combination of both). But I’ve learnt (the long, hard way) a few things about photographing artefacts in museum galleries. So, for those of you who’d like to improve your photography skills for museum visits, I’d like to share a few tips and tricks I’ve picked up over the years (if your photography’s up to scratch, then here’s a post with some pretty pictures to enjoy).