Having had a bit of a break from photographing artefacts while the Book of the Dead exhibition was being put together, I started back at the Garstang a couple of weeks ago.
Whilst having a bit of an explore of the storerooms, I happened upon some boxes of amulets; I knew immediately these tiny little objects could be great fun to photograph.
Why photograph amulets?
Amulets certainly hold a cultural interest as objects the Egyptians considered important to help with the smooth running of both this life and the next.
Photographically speaking, I think amulets could make for a great project. These objects are small – tiny, sometimes – so they can be easily overlooked in display cases and the naked eye can really struggle to pick out details on the smaller ones.
Put an amulet in front of a macro lens, however, and a whole new world can open up. Take the faience Horus amulet I photographed on Wednesday; he’s only about an inch tall, so easy to pass by, but when you see him magnified by the lens, you pick out all sorts of detail (the sand in his belly button, for one!):
Or how about this gorgeous little hedgehog. How many people would really stop and dwell on his amazing little whiskers and bobbly little nose if he were in a display case?
I do think there’s potential for a photographic project here. Imagine these photos printed out at A3 size, the amulets shown at many times their original size. A print exhibition and/or book would work really well.
Bob Brier in the house
Last Wednesday, the Garstang had a couple of tours booked in. The first – a school group – was well under way when I got to the museum. The second – a tour group from the United States – came in just after lunch, and I offered to get a few photos for the museum to use for their outreach.
When the group arrived, I immediately recognised their leader: Bob ‘Mr Mummy’ Brier, the US Egyptologist famous for his experimental mummification of a human cadavar. I jumped into photojournalist mode and got photographing the group as they explored the Garstang.
They were a lovely group of people, and seemed to really enjoy their visit. Bob himself was friendly, passionate and very approachable. He was also quite accommodating when I asked if I could get a photo of him with the Garstang mummy (thanks, Bob!).
Whilst I’ve been enjoying the artefact photography immensely, I do also just love doing a bit of documentary photography, capturing people on the fly. They’re two completely different types of photography, and mixing them up really does keep life fun.
Are you struggling to get your photos edited?
Did you enjoy this post? If so, please help spread the word by sharing on your favourite social network:
Unless otherwise stated, all content and photos on this site are © Julia Thorne. It’s a common misconception that images online are free from copyright. Copyright laws still stand. You are free to share on social media, but please link back to this website or tag my social media handle for the platform. If you’d like to use any of my photos in a blog post, presentation, book or other publication, please email me at firstname.lastname@example.org. Thank you.
Top Posts & Pages
- Using photography to nurture your mental health
- Belzoni's watercolours of Seti I's tomb at the Bristol Museum
- Who was Tetisheri?
- Google Noto: a typeface collection with hieroglyphs
- The goddess Isis: mother, magician, healer, wife
- What is focus stacking?
- 'Meroë: Africa's Forgotten Empire' exhibition at the Garstang Museum
Gorgeously geeky gifts for Egyptologists and Egyptophiles, in my online shop now: