I had my first session at the Garstang on Wednesday. It wasn’t a proper session, per se, but one for reviewing logistics and taking a few test shots. My first project with the museum is to photograph some papyri for Gina, so I wanted to test out my photographic equipment on them. I also got to go down to the photographic suite and see how the equipment there could compliment/enhance what I already have.
The Garstang Museum of Archaeology is the departmental museum for the School of Archaeology, Classics and Egyptology at the University of Liverpool. The university’s where I studied Egyptology, so it’s a place close to my heart.
I’m so excited to share with you that I’m going to be getting my hands dirty at the Garstang with some photographic projects. The curator, Dr Gina Criscenzo Laycock, and I studied for our Masters together, so it’s been really great to catch up with an old friend and get the opportunity to start this project.
In a quest to try to harmonise the ever-disparate collection of technologies that we use to connect on the internet, Google have developed what may be the most comprehensive collection of typefaces yet. Under the umbrella name of Google Noto, the aim of the collection is to include every unicode symbol ever (for free).
Having completed its stint at Glasgow, the Animal Mummies Revealed exhibition opened on 14 October 2016 at the World Museum in Liverpool. I visited the exhibition when it was on at the Manchester Museum last year, and was really looking forward to following it up again at the World Museum and seeing how it looked in a different exhibition space.
Curator Ashley Cooke very kindly arranged for me to come in for a couple of hours while the exhibition was being set up to get a few behind-the-scenes photos to share with you all. It really was just a snapshot of a small part of a process that had taken several weeks, but what I saw was just fascinating.
Friday, 13 May 2016 was Light Night in Liverpool; a night when the city of Liverpool comes to life with family events, late-opening museums, libraries and galleries, and a whole host of arts-based fun. For the past two years, the Garstang Museum of Archaeology taken part in Light Night. Last year, they welcomed the Garstang Mummy back to the museum after a sixty-year sojourn in the Department of Anatomy. This year, Light Night was the opening night of the exhibition, Meroë: Africa’s Forgotten Empire.
On 15 April I hopped on the train to Manchester to see and photograph the ‘Animal Mummies: Gifts to the Gods’ exhibition at the Manchester Museum in its last few days. I also met up with Curator of Egypt and Sudan and my old university buddy Campbell Price to find out how the exhibition has worked out.
Dr Robert Connolly is an anatomist at the University of Liverpool who assisted with the anatomical work done on the mummy of Tutankhamun back in the 1960s as a grad student, and has carried out a significant amount of research on Egyptian mummies since then.
Back in May 2015, I went to listen to him speak about his research on mummies over the years, as part of the Liverpool Egyptology Seminars at the University of Liverpool. It was a fascinating talk, and he’s a wonderfully witty speaker to boot. He talked about Tutankhamun, in particular the conclusions he drew on the circumstances of his death, from an anatomical point-of-view (he concurs with the theory that Tutankhamun fell out of a chariot and was hit front-on in the chest by the following chariot).
Friday, 24 October 2014 – the opening of the new Egyptology gallery at The Atkinson in Southport, and a date which had been in my diary since it had been announced.
Southport is only a 25-minute ride on the local Merseyrail train service for me, so with my three-year-old in tow (my girls are beautifully enthusiastic about museum visits!) and camera with a full charge and a clean memory card, we hopped on the train then made the three-minute walk from Southport station to the Atkinson.