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featured image for the ceramics conservation blog post

Telling a story with photos: ceramics conservation for Before Egypt

Artefact photography is just one aspect of what I do. Another, at the other end of the scale, is documentary photography.

Unlike my artefact photography, which is carefully controlled and thought out, documentary photography is about working with what you’ve got, and reacting to the moment. Your environment dictates the photography, rather than the photography dictating the environment.

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Photographing Egyptian flint tools using a lightbox

The photography I’ve been doing at the Garstang isn’t all amulets and papyrus. I’ve photographed a lot of pottery for the Before Egypt exhibition, which in itself has been a lot more fun than I thought it might be. However, I’ve also photographed another type of object for the first time for the exhibition: flint tools.

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Update from the Garstang: tiny amulets and a visit from Bob Brier

Having had a bit of a break from photographing artefacts while the Book of the Dead exhibition was being put together, I started back at the Garstang a couple of weeks ago.

Whilst having a bit of an explore of the storerooms, I happened upon some boxes of amulets; I knew immediately these tiny little objects could be great fun to photograph.

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Photography in museums: a few tips and tricks

I’ve had a lot of fun over the last few years exploring galleries of Egyptian collections with my camera (as a visitor). A lot of it has been hit-and-miss, to say the least, usually because of glass reflections or low light (or a combination of both). But I’ve learnt (the long, hard way) a few things about photographing artefacts in museum galleries. So, for those of you who’d like to improve your photography skills for museum visits, I’d like to share a few tips and tricks I’ve picked up over the years (if your photography’s up to scratch, then here’s a post with some pretty pictures to enjoy).

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Repairing papyri in Photoshop

Repairing papyri that have sustained damage over the millennia using Photoshop is something I want to spend some time doing on this project. Whilst employing a conservationist to take the papyri out of their glass containers and reassemble them is a costly and time-consuming affair, using Photoshop to digitally reassemble pieces is much less so (and more fun for me, too).

The process of repairing papyri
So, what is it I’m doing when I’m repairing papyri? The purpose is to pull together and realign broken sections. The example I’m using here is from a copy of the Amduat from the Garstang Museum. The Amduat was a funerary text whose contents showed the nighttime journey of the sun-god through the underworld. This particular copy belonged to a lady called Tjaty from the 21st Dynasty of ancient Egypt (1077–943 BC).

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At the Garstang: first session photographing the Book of the Dead

Last week, I had my first proper session in the photographic suite. I spent the day in near darkness, photographing a couple of pages from the Book of the Dead.

But why were you in near darkness?, I hear you cry. Because of my arch-nemesis: reflections.

The papyri are encased in sheets of glass, which were cleaned beautifully by some of the museum interns before I photographed them. However, the now extra-clean glass was was extra shiny, and therefore extra reflective. Although the walls and ceiling in the suite are painted black, even low amounts of light were reflecting off the light fittings in the ceiling back down onto the glass.

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At the Garstang: setting up photographic equipment and taking some test shots

I had my first session at the Garstang on Wednesday. It wasn’t a proper session, per se, but one for reviewing logistics and taking a few test shots. My first project with the museum is to photograph some papyri for Gina, so I wanted to test out my photographic equipment on them. I also got to go down to the photographic suite and see how the equipment there could compliment/enhance what I already have.

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‘Animal Mummies Revealed’ at the World Museum: behind the scenes

Having completed its stint at Glasgow, the Animal Mummies Revealed exhibition opened on 14 October 2016 at the World Museum in Liverpool. I visited the exhibition when it was on at the Manchester Museum last year, and was really looking forward to following it up again at the World Museum and seeing how it looked in a different exhibition space.

Curator Ashley Cooke very kindly arranged for me to come in for a couple of hours while the exhibition was being set up to get a few behind-the-scenes photos to share with you all. It really was just a snapshot of a small part of a process that had taken several weeks, but what I saw was just fascinating.

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STORE UPDATE DURING THE COVID-19 CRISIS

As of 26 March 2020, the print-on-demand company I use for the items in my shop are having to cease working temporarily due to disruptions in their supply chain.

You can still buy things from my shop, but your order won’t be fulfilled until my printers are back in operation.

If you choose to buy something during lockdown, your order will remain with the printers, and I’ll keep you updated throughout.

I’m gutted to have to tell you this, but so many of us are having to make changes to our lives and to our businesses for the next while.

Thank you all so, so much for your support x