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A year in photos: my top twelve photos of 2017

This past year has been an amazing year for me and my photography. From humble beginnings, taking a few photos for fun at the Garstang Museum, I’ve ended up photographing lots of beautiful ancient Egyptian artefacts, providing photography for the Book of the Dead exhibition and having my images up on the wall of the Tate Liverpool.

As I think back over the last year, and look forward to what 2018 has to bring for me, I thought I’d share some of my favourite photos and moments with you from the past twelve months. So, here’s my year in photos, month by month, for 2017.

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The Book of the Dead as a Tate Exchange Workshop

While the Book of the Dead exhibition was on, the Garstang put in a successful bid for a week-long workshop at the Tate Liverpool. The workshop was based on the Book of the Dead exhibition, but was art-focused, without the artefacts. It featured my photography, prominently.

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Light Night opening of the Book of the Dead exhibition

After numerous hours in the photographic suite, many more vying with Photoshop, followed by several weeks of nail biting, hoping my photos would make the grade, finally, we got there. The Book of the Dead exhibition opened at the Garstang on 19 May 2017 as part of Liverpool Light Night.

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featured image for repairing papyri blog post

Repairing papyri in Photoshop

Using Photoshop to repair papyrus that have sustained damage is a technique I’ve used for several images featured in the Book of the Dead exhibition. This blog post explains why the sheets of papyri are damaged and how I bring them back together in Photoshop.

The process of repairing papyri
So, what is it I’m doing when I’m repairing papyri? The purpose is to pull together and realign broken sections. The example I’m using here is from a copy of the Amduat from the Garstang Museum. The Amduat was a funerary text whose contents showed the nighttime journey of the sun-god through the underworld. This particular copy belonged to a lady called Tjaty from the 21st Dynasty of ancient Egypt (1077–943 BC).

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At the Garstang: first session photographing the Book of the Dead

Last week, I had my first proper session in the photographic suite. I spent the day in near darkness, photographing a couple of pages from the Book of the Dead.

But why were you in near darkness?, I hear you cry. Because of my arch-nemesis: reflections.

The papyri are encased in sheets of glass, which were cleaned beautifully by some of the museum interns before I photographed them. However, the now extra-clean glass was was extra shiny, and therefore extra reflective. Although the walls and ceiling in the suite are painted black, even low amounts of light were reflecting off the light fittings in the ceiling back down onto the glass.

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At the Garstang: setting up photographic equipment and taking some test shots

I had my first session at the Garstang on Wednesday. It wasn’t a proper session, per se, but one for reviewing logistics and taking a few test shots. My first project with the museum is to photograph some papyri for Gina, so I wanted to test out my photographic equipment on them. I also got to go down to the photographic suite and see how the equipment there could compliment/enhance what I already have.

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