I’ve had a lot of fun over the last few years exploring galleries of Egyptian collections with my camera (as a visitor). A lot of it has been hit-and-miss, to say the least, usually because of glass reflections or low light (or a combination of both). But I’ve learnt (the long, hard way) a few things about photographing artefacts in museum galleries. So, for those of you who’d like to improve your photography skills for museum visits, I’d like to share a few tips and tricks I’ve picked up over the years (if your photography’s up to scratch, then here’s a post with some pretty pictures to enjoy).
Repairing papyri that have sustained damage over the millennia using Photoshop is something I want to spend some time doing on this project. Whilst employing a conservationist to take the papyri out of their glass containers and reassemble them is a costly and time-consuming affair, using Photoshop to digitally reassemble pieces is much less so (and more fun for me, too).
The process of repairing papyri
So, what is it I’m doing when I’m repairing papyri? The purpose is to pull together and realign broken sections. The example I’m using here is from a copy of the Amduat from the Garstang Museum. The Amduat was a funerary text whose contents showed the nighttime journey of the sun-god through the underworld. This particular copy belonged to a lady called Tjaty from the 21st Dynasty of ancient Egypt (1077–943 BC).